Exhibition "Ibrahim Mahama — The Time of Harvest" Cartier Foundation for Contemporary Art from Thursday, October 22, 2026 to Sunday, February 28, 2027

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Discover “Ibrahim Mahama — The Time of Harvest” at the Cartier Foundation in Paris. This exhibition brings together installations, photographs, textiles, archives and contemporary artworks centered around memory, history and African transformations. An immersive artistic experience that explores the legacies of the past and imagines new futures.

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What to expect

From October 22, 2026 to February 28, 2027, Paris will host a major exhibition dedicated to Ibrahim Mahama, a Ghanaian artist renowned for his monumental creations and his unique way of bringing art, history and memory into dialogue. Entitled “The Time of Harvest”, this exhibition offers a rich artistic experience built around installations, photographs, textiles, archives and architectural elements. For contemporary art enthusiasts as well as visitors wishing to discover a different approach to African history, this exhibition is a particularly interesting cultural outing.

Ibrahim Mahama — The Time of Harvest: a contemporary exhibition to discover in Paris

A meeting with the world of Ibrahim Mahama

Born in 1987 in Tamale, Ghana, Ibrahim Mahama has developed an artistic practice strongly connected to traces of the past. He works notably with reclaimed materials, objects that have been used industrially, architectural fragments and archival documents. Rather than considering these elements as simple remnants, the artist gives them a new function and transforms them into vehicles for reflection.

Through his works, Ibrahim Mahama explores transformations in society, economic exchanges, infrastructure and the consequences left by different historical periods. His work thus makes it possible to observe how objects, buildings or materials can preserve the memory of the people and events with which they have been associated.

With “The Time of Harvest”, this approach takes on a new dimension. The exhibition also brings together several artists and collectives who have artistic or intellectual connections with Ibrahim Mahama. Visitors therefore discover a journey that is not based solely on one individual, but which brings together different sensibilities and different ways of recounting the past.

An exhibition in the heart of Paris

The event takes place at the Fondation Cartier pour l’art contemporain, at 2, place du Palais-Royal, 75001 Paris. Located in a central district of the capital, the venue is a convenient starting point for incorporating this visit into a day dedicated to discovering Paris.

The exhibition is designed to make use of the architectural characteristics of the building and create a relationship between the works and the spaces that host them. Some creations therefore take on a particularly spectacular dimension thanks to their proportions and their integration into the environment.

The location also makes it easy to combine this outing with other cultural activities, walks or visits in central Paris. A booking can therefore naturally fit into a tourist itinerary, a Parisian weekend or a day devoted to art and culture.

Works that tell history differently

One of the major attractions of “The Time of Harvest” lies in the diversity of the works presented. The exhibition is not limited to paintings hung on walls: it combines installations, photographs, sculptures, textiles, archives and architecture.

Among the most striking projects is “Parliament of Ghosts”, an installation that evokes a parliamentary assembly through a collection of traditional Ashanti wooden seats. This work refers to the political history of Ghana and creates a space in which visitors can take a seat. It is also intended to host various cultural offerings during the exhibition period.

Another important work, “Things Fall Apart”, draws on the history of a former Ghanaian glass bottle factory. Ibrahim Mahama recovered materials associated with this industrial structure in order to incorporate them into a new creation. The result perfectly illustrates the way in which the artist transforms the material traces of the past into a contemporary work.

A dialogue between several generations of artists

The exhibition also gives an important place to other creators. The public will notably be able to discover the work of James Barnor, a major figure in Ghanaian photography, whose images bear witness to different periods in the country’s history.

The works of Dorothy Akpene Amenuke, meanwhile, bring a textile and artisanal dimension to the exhibition. Gideon Appah notably draws on visual references and archives to create compositions that blend memory and imagination.

The exhibition also features Zohra Opoku, known for her work with photography and textiles, as well as the Cercle d’Art des Travailleurs de Plantation Congolaise (CATPC), whose creations notably address the relationships between art, territory, labour and economics.

Other contributions, notably those by Courage Dzidula Kpodo, Postbox Ghana, Tjaša Rener and Feda Wardak, further broaden the perspectives offered to the public. This diversity makes the visit particularly interesting for those wishing to discover several forms of contemporary creation brought together within a single exhibition.

A programme that extends the experience

The visit is not necessarily limited to discovering the works. Throughout the exhibition period, “Parliament of Ghosts” is also intended to become a space dedicated to exchanges and cultural offerings.

The announced programme notably includes performances, meetings, discussions, lectures, master classes and musical events. Collaborations with art schools are also planned.

This additional dimension makes it possible to view the exhibition as a place for exchange rather than simply a contemplative journey. Visitors may therefore be invited to listen, observe, discuss and explore further some of the themes addressed by the artists.

Why book your ticket in advance?

A booking primarily allows you to prepare your outing with peace of mind and include this exhibition in your Paris itinerary. With a presentation period running from October 2026 to February 2027, “The Time of Harvest” can easily fit into a tourist stay, a cultural getaway or an outing with family or friends.

Booking your entrance in advance is also useful for visitors who wish to organize their day around a specific time. This makes it easier to plan the other activities scheduled in Paris and avoid leaving this cultural discovery to chance.

For contemporary art enthusiasts, the exhibition is also an opportunity to discover in Paris an important project dedicated to the work of a Ghanaian artist whose creations combine history, materials, architecture and memory. The presence of several guest artists further enriches the exhibition and offers greater diversity throughout the visit.

Visiting hours

To organize your visit, the announced opening hours are as follows:

  • Tuesday to Thursday: from 11:00 a.m. to 7:00 p.m.
  • Friday: from 11:00 a.m. to 10:00 p.m.
  • Saturday and Sunday: from 11:00 a.m. to 7:00 p.m.
  • Monday: closed

The extended Friday evening hours offer a particularly convenient option for visitors who wish to enjoy their day before spending their evening discovering the exhibition.

The exhibition is accessible throughout its programme period, from October 22, 2026 to February 28, 2027.

Ticket prices

The current admission price is €15 for the full-price ticket and €10 for the reduced-price ticket. The conditions corresponding to the reduced rate depend on the categories of visitors concerned.

It is recommended to check the applicable pricing conditions at the time of booking in order to select the category corresponding to your situation.

A visit suitable for different audiences

“The Time of Harvest” may appeal both to contemporary art enthusiasts and to people simply wishing to add an original cultural experience to their Paris stay. The variety of formats presented makes it possible to discover the exhibition from several perspectives: photography, architecture, sculpture, textiles, installations and historical documents.

The richness of the themes addressed can also make it an interesting outing for groups, students, culture enthusiasts and international visitors wishing to discover another perspective on African history and contemporary creation.

Prepare for your discovery

Located in the heart of Paris, the Fondation Cartier provides an ideal setting for discovering this exhibition dedicated to Ibrahim Mahama. By booking your ticket, you can easily incorporate this experience into your itinerary and take the time to explore a collection of works that question memory, social transformations and the way in which the past can be reinterpreted by artists.

“Ibrahim Mahama — The Time of Harvest” thus offers a meeting between heritage and contemporary creation. Monumental installations, photographs, textiles, archives and transformed architecture make up a rich and varied journey. From October 22, 2026 to February 28, 2027, this exhibition invites visitors to discover works that do not simply recount the past, but also seek to open up reflection on possible futures.

To fully enjoy this cultural experience in the heart of Paris, choose your visit date and book your tickets to discover the artistic world of Ibrahim Mahama.

Common questions

What is the “Ibrahim Mahama — The Time of Harvest” exhibition?

  • This exhibition dedicated to Ibrahim Mahama presents a collection of contemporary works combining installations, photographs, textiles, archives and architecture. The exhibition explores memory, social and economic transformations, as well as historical legacies, particularly those connected to Ghana.

Who is Ibrahim Mahama?

  • Ibrahim Mahama is a Ghanaian artist born in 1987 in Tamale. His practice draws notably on reclaimed materials, industrial objects, archives and elements connected to the history of his country. His works explore the traces left by political, economic and social developments.

What can be discovered during the visit?

  • The exhibition brings together different artistic forms: monumental installations, photographs, textiles, archives, sculptures and architectural elements. Several works were designed or adapted specifically to interact with the spaces of the Fondation Cartier.

What is “Parliament of Ghosts”?

  • “Parliament of Ghosts” is a major installation by Ibrahim Mahama, notably taking the form of an assembly made up of wooden Ashanti seats. This work refers to the political history of Ghana and can also host various meetings and cultural events.

What is the “Things Fall Apart” installation?

  • “Things Fall Apart” is a monumental architectural work inspired by a former Ghanaian glass bottle factory. Ibrahim Mahama worked with materials from this industrial structure to create a new work connected to the history and memory of Ghana.

Which other artists are taking part in the exhibition?

  • The project brings together Ibrahim Mahama with several artists and collectives, including Dorothy Akpene Amenuke, Gideon Appah, James Barnor, CATPC, Courage Dzidula Kpodo, Postbox Ghana, Zohra Opoku, Tjaša Rener and Feda Wardak.

Does the exhibition feature photography?

  • Yes. Photography plays an important role in the exhibition, notably through the work of James Barnor. Historical photographs and contemporary collaborations help evoke different periods in Ghanaian history and society.

Is there a cultural programme accompanying the exhibition?

  • Yes. “Parliament of Ghosts” is notably set to host a programme including concerts or musical events, performances, meetings, discussions, lectures and master classes. Some activities are also planned in collaboration with art schools.

How can I get to the Fondation Cartier?

  • The Fondation Cartier is accessible by public transport. Metro lines 1 and 7 serve the area, while several bus routes also make it easy to reach the site. Vélib’ stations are also located nearby.

Is the exhibition accessible to people with reduced mobility?

  • The Fondation Cartier provides various facilities designed to make the visit easier, including wheelchairs subject to availability. Additional equipment and services are also available to meet the different needs of visitors.

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