It is the first Paris exhibition by Ghanaian artist Ibrahim Mahama, presented at the Fondation Cartier. It brings together installations, photographs, textiles, archives and architectural elements. The exhibition explores memory, social and economic transformation and the political utopias of the African independence era in the 1950s and 1960s, with a particular focus on Ghana.
Ibrahim Mahama Exhibition "The Harvest Season" in Paris
Fondation Cartier, Palais-Royal · Until 28 February 2027 · Open skip-the-line ticket, valid on the day of your choiceIbrahim Mahama's first Paris exhibition, spanning the entire Fondation Cartier building. See more
For his first exhibition in Paris, Ghanaian artist Ibrahim Mahama takes over the entire new Fondation Cartier building on Place du Palais-Royal. Known for his monumental installations made from salvaged materials and jute sacks, he revisits the political and social utopias of the African independence era of the 1950s and 1960s. At the heart of the exhibition are Parliament of Ghosts, a parliament of Ashanti stools you can sit on, and Things Fall Apart, a former Ghanaian bottle factory rebuilt with its original materials. Nine artists and collectives join him, including photographer James Barnor.
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What to expect
From 22 October 2026 to 28 February 2027, Paris hosts a major exhibition dedicated to Ibrahim Mahama, the Ghanaian artist acclaimed for his monumental works and his unique way of bringing art, history and memory into dialogue. Entitled "The Harvest Season" (Le Temps des récoltes), it is his first exhibition in Paris. It offers a rich artistic experience built around installations, photographs, textiles, archives and architectural elements, and invites visitors to discover a different perspective on African history.
Discovering the world of Ibrahim Mahama
Born in 1987 in Tamale, Ghana, Ibrahim Mahama has developed a practice deeply rooted in the traces of the past. He works with salvaged materials, such as his famous jute sacks, objects that once had an industrial life, architectural fragments and archival documents. Rather than treating them as mere relics, the artist gives them a new purpose and turns them into a means of reflecting on economic exchange, infrastructure and Ghana's colonial and postcolonial legacy.
With "The Harvest Season", this approach takes on a new dimension: the exhibition fills the entire Fondation Cartier building on Place du Palais-Royal and revisits the political and social utopias of the African independence era in the 1950s and 1960s. A textile installation even drapes the arcades of the façade, visible from the square.
Works that tell history differently
Among the most striking projects is "Parliament of Ghosts", a parliamentary assembly made of traditional wooden Ashanti stools. The work refers to the 1966 coup d'état in Ghana, and visitors can take a seat. Throughout the exhibition, it also becomes a stage for performances, talks, debates, master classes and music, in collaboration with art schools.
Another major work, "Things Fall Apart", draws on the history of a former Ghanaian glass bottle factory that opened in 1966. Ibrahim Mahama dismantled it and rebuilt it using its original materials. The result perfectly illustrates how the artist transforms the material traces of the past into contemporary art.
A dialogue between generations of artists
The exhibition also gives pride of place to nine artists and collectives. Visitors will discover James Barnor, a leading figure of Ghanaian photography born in 1929, with Polaroids taken with Ibrahim Mahama in Tamale, vintage prints and albums. The jute canvases of Dorothy Akpene Amenuke bring a textile and craft dimension to the exhibition, while Gideon Appah draws on Ghanaian visual archives to create compositions blending memory and imagination.
The exhibition also features Zohra Opoku, known for her work with photography and textiles, and the Cercle d'Art des Travailleurs de Plantation Congolaise (CATPC), whose cocoa sculptures explore the relationship between art, labour and economics. Contributions from Courage Dzidula Kpodo, Postbox Ghana, Tjaša Rener and Feda Wardak further broaden the perspectives offered to visitors.
Practical information
- Address: Fondation Cartier pour l'art contemporain, 2 place du Palais-Royal, 75001 Paris, opposite the Louvre
- Getting there: metro lines 1 and 7 (Palais-Royal – Musée du Louvre)
- Dates: from 22 October 2026 to 28 February 2027
- Opening hours: Tuesday to Thursday 11am–7pm, Friday 11am–10pm, Saturday and Sunday 11am–7pm. Closed on Mondays
- Ticket: open skip-the-line ticket, valid on the day of your choice until 28 February 2027, with no date or time slot to book. E-ticket sent instantly, to show on your smartphone
- Duration: allow about 1h30
- On site: cloakroom, café and bookshop, free Wi-Fi
- Accessibility: lifts and platform lifts for wheelchairs, wheelchairs available on loan subject to availability
- Insider tip: the Friday late opening, until 10pm, lets you enjoy your day before discovering the exhibition in the evening
In the heart of Paris, just steps from the Louvre and the Palais-Royal gardens, "The Harvest Season" fits easily into a day of sightseeing, a weekend in Paris or an outing with friends. With your open ticket, there is no date to set: come whenever you like, until 28 February 2027.
A cultural outing that brings people together!
Organising an event for a group of more than 10 people?
Map
75001 Paris


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